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- Cited by (47)
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Poetics
Volume 25, Issue 1,
September 1997
, Pages 17-43
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Abstract
This paper reports on a text-based empirical project aimed at testing and refining Leech and Short's (1981) model of speech and thought presentation. A balanced British English corpus consisting of twentieth-century prose fiction and contemporary press stories was tagged using Leech and Short's categories of speech and thought presentation as a starting point. The tagging of the corpus led to the introduction of two new categories (the narrator's report of voice and the narration of internal states), and a number of sub-types of existing categories. We define and exemplify the new categories and sub-categories, indicate their frequencies in our data, and explore their effects in different text-types. We also discuss the coding difficulties posed by anibiguities and overlaps between categories, and consider the implications of such problems and other factors for the claim that the boundaries between speech and thought presentation categories are clinal in nature. Although our research reveals a wealth of evidence to support the idea that the speech and thought presentation scale is a cline rather than a series of discrete categories, it also suggests that some category boundaries (especially those at the direct/free indirect boundary) are less clinal than others.
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Cited by (47)
- An elaboration of the faithfulness claims in direct writing
2009, Journal of Pragmatics
The notion of faithfulness to an original text is one of the most important aspects in presenting others’ discourse especially in the form of direct speech (DS) and direct writing (DW). Although it is often assumed that exact words and expressions of the original discourse are used in direct discourse by non-linguists, recent studies on DS oppose the faithfulness assumptions and provide counter-examples of the word-by-word reproduction of the anterior discourse. This study, taking the notion of faithfulness and the extended faithfulness claims of direct discourse into account, shows that quoting exact words and phrases of the original does not necessarily reproduce a similar meaning. Quotations from literary reviews, which appear on covers of paperbacks, will be compared with their originals, and how speech acts and propositional contents of the original are reserved or altered in the quotations will be examined. The examples show that almost all the quotations use exact words and expressions of the original reviews. However, some quotations alter the speech-act value which the reviewer intended to convey in the original and generate different implicatures which were not found in the original. By analysing such cases in which faithfulness to the original discourse is not necessarily observed, this paper tries to elaborate upon the faithfulness claims of direct writing.
Reconstructed dialogues in the sociolinguistic interview
2021, Boletin de Filologia
Style and interpretation in hemingway's 'cat in the rain'
2020, The Language and Literature Reader
Deceptive Journalism: Characteristics of Untrustworthy News Items
2020, Journalism Practice
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Copyright © 1997 Published by Elsevier B.V.